Powertex Medium Art Doll

mixed media powertex medium art doll tutorial

Powertex Medium Art doll – Goddess of Mystery – by Abigail Lagden

Hello and welcome to my latest project! For this one I have used the Powertex medium Art Doll kit with the contents shown below.

Kit contents

I love working with the project kits from Powertex UK. They provide the perfect level of structure to work with and stimulate ideas. But also have the flexibility to put your own style into them. By how you construct them, which other products and embellishments you use and finally how you add colour to them.

As usual, I started by playing with the MDF kit pieces and arranging them in different ways. The picture below shows my initial guide design. As you can see it evolved and changed a fair bit as the project progressed. This always happens to some degree with my creations. So don’t worry that you have to stick rigidly to your first design. It helps to have an idea of where you are going at the start. I find the best results happen when you just go with the creative flow once you start building your piece.

Original design

As well as the Medium MDF Art Doll Kit, I used the following for this project:

First I used Easy Structure through the ‘arty quotes’ stencil to add the words ‘mystery’ and ‘wonder’ to the wings. The thing I love about this stencil is that not only do you have the lovely quotes in their entirety. But you can also just use specific words or phrases from within the quotes. To keep the stencilling clean for single words, I use masking tape to cover the words. Placing around the ones that I want to use before using Easy Structure paste through it.

Stencil masking

I wanted there to be lots of texture in this project. I mixed three different pastes using yellow Powertex with Easy 3D Flex, 3D sand/small balls and Stone Art.

Three pastes

First, I covered the base of the shadow box with the Easy 3D Flex paste. Before using yellow Powertex to attach and paint the sides of the box. I applied the sand and balls paste to the ‘crown’ pieces and pushed them into the 3D flex paste. Then I painted the plaster face with yellow Powertex. Pushed it into the 3D flex paste and sprinkled a few small balls into the box.

Box frame

Next, I worked on the back piece of MDF. Randomly adding areas of the three different pastes I mixed earlier. Creating lots of textures and submerging the MDF row of hooks at the bottom. Then I sprinkled some medium 3D balls onto a few areas followed by some small balls to fill the gaps. Whilst the background piece was still wet, I attached the box frame and the other MDF shape into the pastes.

I smeared a little left over 3D Flex paste onto the princess’ face and onto parts of the crown piece.

Pre-bister

The top piece of the shadow box was painted just with yellow Powertex. The wings were covered with the sand and balls paste.

Wings 1

All of the pieces were then left to dry and/or crack before they were sprayed with brown bister.

Bistered piece

Bistered bits

This was dried and then the bister cleaned back using a damp sponge. Leaving the stronger colour in the depressions, giving more depth to the textures and lightening the uppermost parts.

Cleaned back bister

Cleaned back bister wings

Now for the fun part… adding a little bit of extra colour to bring the piece to life. I wanted this piece to have quite an earthy, rustic, natural quality. I used different blends of light blue, moss green, yellow ochre, lilac and white powercolor pigments. Mixed with easy varnish and applied using a dry brush technique.

Close up 2

Close up 1

The final step was to secure the wings to the front of the frame with powertex. Then the front of the frame to the main piece. I also hung a little metal key charm through the hole at the bottom of the frame.

Close up 3

Powertex Princess Art Doll - Abigail Lagden

I hope you’ve enjoyed seeing how I made this piece. Please do share your own creations on the Powertex Studio facebook page. Where you will find lots of inspiration as well as support from our fabulous Powertexing community.

You can also see more of my work on my Curiously Contrary facebook page and on my website. If you didn’t catch my blog last month take a look here.

Until next time, Abs xx

Powertex Stone Art Clay Pendant – Abigail Lagden

Powertex Stone Art jewellery pendant

Well, Happy New Year and I hope you had a lovely Christmas.

For my first blog of 2019 I thought I would take a festive left over and re-purpose it into something fun and funky for the new year.

So for this project, I started with an MDF bauble shape, some red Powertex, Stone Art, macrame cord and some texture mats.

Starting point

I began by mixing some stone art clay using the red Powertex and the Stone Art. When mixing small amounts of stone art clay I pour a little Powertex into a yogurt pot, then using an old paintbrush handle, I gradually mix in small handfuls of stone art. I keep adding stone art until the mixture thickens up and starts to pull away quite cleanly from the sides of the pot rather like a dough. It can then be turned out and a little more stone art worked in by hand to get a  consistency a little like polymer clay.

Part mixed clay
Part-mixed clay
Mixed clay
Clay ready to turn out

Once the clay was the right consistency, I rolled it out using an acrylic rolling pin to a thickness of approximately 3mm and a little larger than the size of the bauble. Then I positioned one of the texture mats on top and rolled the rolling pin over the top to impress the pattern into the clay.

Next I placed the bauble on top of the impressed clay and carefully cut around the edge using a craft knife to make a perfect circle of clay.

Bauble cut clay

I have recently acquired some macrame cord and love the simple texture of it when rolled into a coil, so I wanted to incorporate this into my project. To make it sit within the clay I needed to cut a circle out of it, so I used the lid of a fabric conditioner bottle like a pastry cutter to remove a circle of the clay.

Cut out circle

To attach the clay, I painted the bauble with Powertex before placing the clay on top.

Macrame cord was then coated in red Powertex and coiled to fit in the circular hole and also to create a border around the edge. The piece was then left to dry overnight.

Macrame cord added

Once dry, I sprayed brown bister over the clay to enhance the impressed texture and once this was dry I gently used a damp sponge to remove the bister from the uppermost surfaces and reveal the red colour again.

Bistered
Sprayed with brown bister
Cleaned Bister
Bister wiped back

Finally, I added colour by mixing Powerwax with yellow ochre, orange and moss green powercolor pigments and applying with a sponge.

The last step was to add a piece of ribbon through the hanging hole to make this piece into a beautiful wearable pendant.

Pendant

Pendant on driftwood

I hope you have enjoyed this project and you have been inspired to get creative this year. Please do share your makes with us through the Powertex Studio facebook group and let others know about the Powertex blog and the fabulous inspiration you can find here.

You can see more of my curious creations and the Powertex workshops I am running in County Durham, by popping by my Curiously Contrary facebook page or my website.

Until next time, here’s to an awesome 2019,

Abs xx

‘Gonzo the Great’ – A Powertex Christmas tale – Abigail Lagden

Muppet Christmas Carol by Abigail Lagden

As a Powertex Tutor, I am lucky to run a number of my workshops in a gorgeous little home & gift shop in Sedgefield, County Durham called From Loft to Loved. The shop is owned and run by Sarah and Kim, two lovely ladies who share my passion for recycling, upcycling and repurposing and this is reflected in their creative work and the ethos of the shop.

So, when they asked if I would create a bauble for their tree as part of the annual Sedgefield Christmas Tree Festival, I was only too happy to oblige (not that I need much encouragement to get creating). The overall theme for this year’s festival is ‘A Carol for Christmas’ and so the girls decided to go with the less traditional (but so much more fun) idea of ‘The Muppet Christmas Carol’.

As soon as they said this, I knew what I had to make. Whenever I think of this film I always think of The Great Gonzo as Charles Dickens, so that is what my bauble was inspired by.

I started with a polystyrene egg, some cardboard, bronze Stone Art clay and some dishcloth and muslin.

Starting Materials

First I cut a wedge out of one end of the polystyrene egg for the mouth. I then sculpted his nose using tin foil and secured it in place using masking tape.

Egg with nose

Next I covered the whole thing with a layer of Stone Art clay, made using bronze Powertex mixed with Stone Art. (I would have used blue Powertex but I had quite a bit of bronze clay left over from something I was making back in the summer).

I made two eyeballs from white air drying paper clay and attached them using a little Powertex before adding eyelids made from stone art clay.

Head without fur

Little pieces of dishcloth were then coated with bronze Powertex and added to the top and sides of the head for his fur.

Gonzo head

Now for the hat..

This was constructed using cardboard – a ring for the brim of the hat, a strip of card for the sides and a circle to fill in the top. This was painted using bronze Powertex and then covered using Powertex coated muslin. Some t-shirt yarn was used for the band.

Wrapped hat

The hat was then attached to ‘Gonzo’s’ head using Powertex and the piece was left to dry for a couple of days.

Gonzo Before Colouring - Curiously Contrary

Now to bring him to life with colour…

I used ultramarine blue, red and white Powercolor pigments for the head and orange and bronze gold for the hat. The eyes were finished off using a black permanent marker to draw the pupils.

Gonzo the Great by Abigail Lagden

Gonzo on a tree - Curiously Contrary

My Gonzo inspired bauble will be appearing on From Loft to Loved’s Christmas Tree as part of the Christmas Tree Festival in St Edmund’s Church, Sedgefield from Saturday 1st – Thursday 6th December. Here is a sneaky peek at him on setting up day.

From Loft to Loved Christmas Tree

Gonzo in St Edmunds

Hopefully ‘Gonzo’ will make a few people smile while he is there. Then after the 6th he will move into the From Loft to Loved shop just around the corner to bring more Christmas cheer from their Christmas tree.

Don’t forget to make all of us smile and get us in the festive mood by sharing your own makes in The Powertex Studio facebook group.

If you’d like to see what else I’m getting up to over the festive season, you can check out my Curiously Contrary facebook page and my website.

Until next year, Merry Christmas

Abs xx

Remember, Remember, the 5th of November…

 

Remember, Remember, the 5th of November. Gunpowder, Treason and Plot!

I love this time of year as the autumn moves towards cosy winter nights. Halloween has passed and bonfire night awaits before the count down to Christmas. And a cup of hot soup in front of a big bonfire takes me straight back to my childhood and my childhood bonfire nights wouldn’t be complete without a Catherine Wheel – the inspiration for this project.
I started with a 20cm square canvas and painted it with black Powertex. I then used Easy Structure to stencil a swirl design onto the canvas and once dry painted over this with black Powertex.
Although very little of this pattern would be visible on the final pieces it also provided me with a basic shape to follow when adding the paperdecoration.
First I used small pieces of white paperdecoration which I laid slightly randomly but following the swirl pattern and painted over it with black Powertex. (You could use any colour paperdecoration for this part as it is completely covered with the black)
Once this was dry, I mixed rich gold colortricx pigment with Powerwax and gently applied it over the raised parts with a sponge.
To add some extra depth and texture to the corners of the canvas, I mixed some red Powertex with Easy 3D Flex to make a paste and applied this roughly to the corners and left it overnight to crack.
I then carefully painted the top surface of the cracked area with black Powertex. Using the red Powertex with the Easy 3D Flex made sure that there would be nice bright red colour in the cracks.
Next, it was time to add the gorgeous coloured paperdecoration – burgundy, light pink, red wine and red.
I tore off long thin pieces of paperdecoration and fanned it out towards the end. I laid these onto the canvas following the swirl pattern and painted over them with a good coating of transparent Powertex. Although this goes on a milky white, it dries clear allowing the original colours of the paper dec to show through.
Once I had added enough paperdecoration I left it to dry overnight.
The final part was to add some gold and copper tones to give it the warmth of fire. I did this by mixing colortricx pigments (copper, bronze gold and rich gold) with Powerwax and applying it over the tops of the texture with a sponge.
I am still undecided if I need to add anything into the centre. I am keeping my eyes open for a nice bit of fiery bling…
Until next time, Abs xx

 

Tremendous Textures by Abigail Lagden

One of the things that drew me to Powertex was the amazing textures and depth that can be created. I now look at everything for its texture potential and powertexability. So this month I thought I would share with you just a few of my favourite textures that I have encountered over the years that I’ve been creating with Powertex.

T-shirt Yarn
I have to start with t-shirt yarn. Made from the off cuts from the textile industry, not only is it a great use of otherwise waste material, it was t-shirt yarn that first led me to Powertex. Originally, I was using it to crochet chunky bags and doorstops and wanted to make a plant pot that could go outside… so on the hunt to find something that would harden it and make it weather resistant, I discovered Powertex. (and then I discovered all the other amazing stuff you could do with Powertex, and the rest is history!!)
You can pick up t-shirt yarn from the Powertex website.
Embossed Wallpaper
If you’ve seen my previous work and blogs, or been on one of my workshops then you will have seen wallpaper crop up here and there. Perfect for creating background textures quickly and easily, it is also available in such a huge range of patterns to suit any style or project. This is definitely one of my go-to’s.
I used a tree bark effect paper on the roof of my fairy house.
Stockinette Polishing Cloth
I am told this stripy cloth is for polishing cars, but it is even better Powertexed. Whilst the colours get lost under the darker Powertex, each stripe is actually a different knitted stitch and so the stripes are still visible as texture. I have used it for the cloak on this little hare.
My ‘hideous fabric’
I have always jokingly called this fabric my ‘hideous fabric’. I really don’t like flesh coloured fabrics and the elasticated embroidered pattern on this would make it a nightmare to try and make anything from. But the texture created by the stitching is absolutely gorgeous.
I found it reduced in a fabric department (probably because no-one normal would want it) and I bought all that they had left. Sadly I haven’ t been able to find anything even similar since and I am reaching the last of my stash!
Halloween decorations
This time of year is great for finding interesting spooky decorations that can be incorporated into projects. My favourite discovery this year is this fabulous netting from Wilkos (thank you fellow tutor Lin Shields for sharing her find with the rest of us).  Looks great on this bottle wrap created by Lesley in my workshop the other day.
Web fabric
Made from jute, this florists fabric creates beautiful effects, particularly as an interesting background texture. I love the irregularity of it.

 

 

Well, that’s enough from me, now get out there texture hunting…

Until next time, Abs xx

 

Let’s Get Organised by Abigail Lagden

 

It’s been a magical summer for me running many workshops for children (and adults) during the holidays. I’ve helped budding wizards create over 100 wands and 50 spell books!
But now, as they all head back to school, I felt it was time to treat myself to some special storage for my everyday essentials. And this fantastic MDF storage caddy by Candy Box Crafts fits the bill perfectly.
As it comes flat packed, I started by trying to work out how all the pieces fit together to make the organiser and I have to say it was quite a bit easier than I expected.
Once I knew where all the pieces were going I used bronze Powertex to glue them together by painting a very thin layer on the joining surfaces and fitting them all together (I also painted all of the inside surfaces with bronze Powertex as I wanted a dark interior).
Top tip – I used elastic bands around the outside of the organiser to hold all of the pieces tightly together whilst the Powertex dried.
I confess, with this project I didn’t really know where I was going with the decoration at the start, I just knew that I wanted it not to be too bulky so that it would fit onto my already jam packed work surface. So I started by using Easy Structure paste through stencils to add an embossed pattern to all four sides – as well as some other stencils from my stash, I used the fabulous Fossilized and Wonderland stencils by the Secret Art Loft.
The structure paste was allowed to dry before all four sides were painted with Lead Powertex and small 3D Balls sprinkled into the wet Powertex.
I then mixed a paste using Lead Powertex and Easy 3D Flexwhich a spread over some of the blanker areas of the sides using a palette knife and pushed some pieces of a jigsaw puzzle into the paste on the front. This was left overnight to allow the paste to dry and crack.
I then used Powerwax mixed with Powercolor pigments to apply layers of colour using a sponge. I used the following pigment colours – turquoise, green, white, blue, burgundy and lilac. And finally dry brushed using Rich Gold Colortricx mixed with Easy Varnish.
To brighten up the centre piece I decoupaged it using EasyCoat Mat and pieces of this gorgeous rice paper.
Once it had all dried it was time to put it to use. Apologies for the state of my bottles and brushes but was made to be a working storage caddy so it would have been unbelievable for everything to be brand new and spotless. Two 1kg Powertex bottles fit into their compartments perfectly and then there is still plenty of space left for brushes, and your other crafty essentials.
Hope you have enjoyed this month’s project and have been inspired to get organised.
You can see more of my work, my workshops and my antics on my Curiously Contrary facebook page and website.
Until next time, Abs xx

 

Rainbo the Elephant by Abigail Lagden

An exciting design team pack arrived this month. Imagine my surprise to open it up and find an elephant inside!!

 

I love all the animal MDF templates by Powertex UK. But these new ones are a bit more exciting. They have been cunningly designed to fit across the pins of the large 2 pin metal stand which means you have the option to make a 3D, free-standing sculpture.
Now, you may have seen that we had the annual Powertex Tutor Retreat in July which was follow by a fabulous Abyssimo workshop run by Maria Fondler-Grossbaum. All of the projects we completed over the three days were all very different and all well away from my comfort zone. But I adore learning new techniques and mingling with other lovely creatives, so it was the most wonderful weekend. Anyway, here are my three completed projects…
Rosie Casselden’s Fish Workshop
Abyssimo Workshop
Tracey Evans’ Workshop

 

What I took away from the weekend was a need to do something bright and funky with my elephant project as well as (among other things) the three new, scrummy acrylic paints from The Secret Art Loft. I was also inspired by all the gorgeous unicorns created at the Secret Garden Party.
For this project you will need:

 

And here is what I did…
First I covered the base in cling film so it wouldn’t get covered in mess!
Then I attached the MDF elephant to the large 2 pin metal baseusing masking tape. I used some 1mm armature wire to form the shape of the ears, which was fed through the two holes in the template and secured in place using masking tape.

I then built the elephant out using tin foil and masking tape, so it was no longer just a flat piece of MDF. All of the foil was covered using masking tape before being coated with a layer of white Powertex universal medium.
I mixed some stone art clay using white Powertex and StoneArt. I used about four fist sized balls of stone art clay for the whole thing. I prefer to leave my stone art clay overnight before using as I find it easier to work with after is has rested for a bit.
Taking small pieces at a time, I covered the elephant with the stone art clay and used a clear stamp and a wooden printing block to impress flowers and patterns into the clay.
I used the remaining clay to mould some daisies using the Powertex Daisy Mould and attached these with a little white Powertex.
For the ears I used white Paper Decoration to get a texture rich wrinkly surface.
I added some fish net fabric over the elephant’s back and some flowers on the trunk but changed my mind at the colouring stage and removed them.
The project was left to dry. Where I have added stone art clay embellishments, I find it is a good idea to let project dry before colouring as the clay shapes can shrink a little and expose some of the white surface underneath them.
Once dry I used the Secret Art Loft acrylic paints to transform the elephant into a rainbow (Is this getting a bit predictable now?). I applied the paints using a mixture of a brush, a sponge and my fingers!
The paint was left to dry before using white Powertex to dry brush the surface to enhance the appearance of the textures, followed by clear gold colortricx mixed with easy varnish.

 

And, after my Abyssimo workshop, I couldn’t resist adding a little bit of bling too!

I hope you like my rainbow bright elephant and will be inspired to get creating with Powertex.

Please feel free to have a look at what I am up to on my Curiously Contrary facebook page and website.
Until next time, Abs xx

 

From Special to Steampunk Extra Special by Abigail Lagden

From Special to Steampunk Extra Special by Abigail Lagden

One of the many things I love about Powertex is how easy it is to take old and unwanted items and turn them into something spectacular. But it doesn’t have to be unwanted items, you can also take cherished, sentimental items and preserve them by incorporating them into a piece of art . We all have pieces of clothing or jewellery, even toys or other keepsakes that are safely hidden away in boxes, cupboards and drawers. With Powertex you can find a way to display them.
In this blog I will show you how I transformed an old hat into a fabulous piece of wearable art, incorporating all kinds of special trinkets and fabrics into the design.

The idea grew from a few events that I had planned over June and July this year. At the end of July I will be selling my creations at the Whitby Steampunk Weekend and anyone who has been will know how spectacular some of the outfits and costumes are. So, I wanted to create something a bit special to wear myself, that would also demonstrate how Powertex can be used.

 

In June, I also participated in a couple of events where I was demonstrating Powertex and allowing visitors to have a go. So, I decided to create a piece of art that visitors could add to throughout the two events. What better than a hat, which once complete, could double up as something I could wear at the Steampunk Weekend!
Original hat
Converted hat
The old hat I started with was a fedora style hat, so first I needed to make this a bit more Victorian and convert it into a top hat. I did this by just using cardboard to make the desired shape. (The lace band and flower on the original hat was removed and is waiting in my stash for another project)
The whole base hat and cardboard was then painted with bronze Powertex and the cardboard secured onto the hat using a strip of fabric coated in Powertex. It was now ready to be transformed. Over the two events, a variety of embellishments and trinkets that I had stashed away were added to the hat, sitting in scrunched up pieces of different textured fabrics all coated with bronze Powertex.
After the first event, Make in Durham
After the second event – Clervaux Fair
By the end of the second event the hat was approximately two thirds covered, so I didn’t have too much left to do myself other than add the unzipped cogs and cover the top and brim.
Back of hat
For the final colour I wanted it to have a Victorian feel so I opted for burgundy powercolor pigment over the fabric elements and copper, bronze and gold colortricx over the embellishments. I couldn’t resist a rainbow in there somewhere though, so the unzipped cogs got that honour!
Front of hat
I can’t wait to proudly wear my hat in Whitby at the end of July – watch out on my Curiously Contrary facebook page for photos from the weekend.
Until next time, Abs xx

 

A Powertex Masquerade Ball by Abigail Lagden

A Powertex Masquerade Ball

by Abigail Lagden

Well, as someone who loves an mdf embellishment or two, thismonth’s project pack had me drooling over the number of lovely pieces included. Just look at all these flourishes, florals, feathers and fans:
Add in Easy 3D Flex and this is almost my ideal kit!
As this kit contains so much to play with I was easily able to make two projects and had a few bits left over at the end. This blog will describe how I made the Mask on a Canvas project.
 
 
Project 1 – Mask on Canvas
Products used in the final version of this project:

 

I wanted my mask to sit on a canvas and decided the beautiful cracked effect of the Easy 3D Flex would make a lovely textured background. So I painted the canvas with a coat of black Powertex first to make the cracks look darker – although this isn’t necessary.
I then mixed Ivory Powertex with Easy 3D Flex to form a fairly thick paste and spread it around the areas of the canvas that would show around the mask. I varied the thickness of the paste to give different texture and depth of cracks across the canvas.
Brown bister was then sprayed over the canvas and it was left overnight to dry and start cracking.
I used Easy Coat Matt to stick some of the Venice rice paper onto the full face mask. This was positioned to show through underneath the half face mask. Some lace was then coated with ivory Powertex and ruffled up along the side of the base mask.

 

For the half face mask, I cut a piece of swirly wallpaper to fit over the whole surface. Ivory Powertex was used to attach the paper onto the mask and to coat the top surface of the paper.
I changed my mind a few times throughout this project. Initially I painted the feathers with different colours of Powertex and used bister and a hairdryer to create a crackled look. I also painted the flourishes and florals with red & blue Powertex. Here are the feathers.
However, when I came to put it all together I felt it looked a bit disjointed so I painted all of these bits over with ivory Powertex and I also sprinkled 3D sand and 3D small balls onto the florals and flourishes while they were wet. I love that the texture of the bister crackles is still visible on the feathers.

 

All of the florals and flourishes were then added to the half face mask using ivory Powertex.
I covered the rice paper on the base mask using cling film to protect it, and then positioned the half mask over the top. To get nice vibrant colours to blend with the rice paper, I used the violet, egg yolk and aqua acrylic inks from The Secret Art Loft and sprayed them onto the layered masks.
A lesson learnt! – I put the project out in the sun between sprays to dry – sadly a bad idea as the cling film ended up welding itself onto the Easy Coat Matt and did not peel off nice and easily as expected to real the lovely paper. Hence, if you look closely you will see some wrinkles of cling film still left in places.
Once I was happy with the colours, I removed what cling film I could from the base layer and attached the half face mask on top using transparent Powertex (any colour Powertex can be used to stick the bits together if applied with care).
The dried bister was gently wiped back off the cracked canvas with a sponge to lighten the colour before the masks were attached using transparent powertex.
Then just a touch of dry brushing using white powercolor pigment mixed with easy varnish to give it some highlights, and it was finished.

 

As mentioned I also made this second project using the MDF from the kit, black Powertex, and Easy 3D Flex. Coloured using red ochre powercolor pigment and the beautiful pearl pigments from The Secret Art Loft.
And I had these bits left over!!
To see more of my creations and workshops, pop over to my Curiously Contrary facebook page.
Until next time,
Abs xx

 

What a hoot!

What a Hoot! – by Abigail Lagden
I have loved the owl templates since Powertex first introduced them, so imagine my delight when I opened my design team parcel to find not just the owl, but lots of extra embellishments and shapes too in the Project Pack Owl. Here they all are:

 

I wanted my owl to have lots of texture and ruffles, so I also used the following bits I had lying around (very little gets thrown away in our house if it is deemed to be powertexable and I judge just about everything on a texture rating) :
  • Some part-shredded cardboard packaging (courtesy of my Powertex parcel!)
  • Some zig-zag corrugated cardboard which had been protective packaging around a plant pot
  • Some embroidered, stretchy peach fabric which those of you who have been to one of my workshops will know I affectionately call my ‘hideous fabric’ – I hate all skin coloured clothing and also know this would be a nightmare to sew with.
  • Some t-shirt material
  • Some flat cotton yarn
  • Some cotton lace with a circle design
  • Some elasticated, ruffled, cotton lace

This is how my owl was created:

1.   I used the wings as templates to draw around and cut the embossed paper to size. These were coated with bronze powertex and stuck onto the mdf wings and the top surface painted over.
2.  The owl shaped mdf base was fully painted with bronze powertex
3.  The ruffled lace was used in strips for the tail and the shredded cardboard laid across this to form the branch.
4.  One of the mdf rings was wrapped with the flat cotton yarn. One of the circles from the lace was cut out and attached to the other mdf ring.
5.  The corrugated cardboard was cut to make a shape to cover the owl’s belly. This was attached using powertex and painted over.
6.  The ‘hideous fabric’ was used to add some ruffled texture around the corrugated cardboard.
7.  T-shirt fabric was used on the face and ruffled around the two mdf rings which became its eyes.
8.  The feet, beak, button and butterflies were then positioned, and finally the gorgeous eye.

 

They say a picture is worth a thousand words… so I guess a video must be worth at least a thousand more. To prove that point (and also because it easier than stopping to take photos when ‘in the zone’) I have included a couple of time-lapse videos in this blog to show you my project’s emergence.
This one shows the owl being ‘built’.

And this video shows the colour being dry brushed onto the owl. I used different blends of burgundy, red ochre, yellow ochre, orange and white powercolor pigments, followed by some rich gold and bronze gold colortricx.

 

 

I hope you found the videos useful. You can see more of what I have been up to on my facebook page.

Take care. Until next time, Abs xx