Inspiration for an Artwork

Texture inspiration

Where to find Inspiration for an artwork

I am often asked where I get my inspiration for an artwork from. Well mostly the answer is, “it’s all around me”. Because I see inspiration when I’m out for daily walks with my camera. It might be in nature, in architecture, in the many working environment. In the weather, the clouds, a sound, a smell, a texture or a chance conversation. So these are all things that spark ideas in my head which lead me to the creation.

The images below were all taken within 20 minutes of one of these walks. I have worked in my day job for 8 years and never noticed this door before, but the light on that day was so bright that it drew me in. Just look at all that detail in the texture, layers of paint, rust and dust.

A hopper door that has lots of texture, years of dust, rust and layers of colour
Hopper Door – Look at the texture!
Layers of paint, rust and texture in a recessed door handle. Inspiration for an artwork.
Rusty inset door handle

Rusty Inspiration

The detail in this image is perfect for using Powertex Rusty Powder with lead and yellow ochre Powertex to recreate a rusty element.

This measures around 15cm x 10cm on a door that is around 6 meters high.

When you’re out and about be mindful, look out for the detail as well as the bigger picture. You never know what you might find to inspire a new piece of work especially a Powertex project! .

The image on the right is the bottom edge of the door in the first image.

Look at that luscious texture and rust. The tongue and groove in this piece have given me an idea for the base of my next Powertex project, can you guess what it will be?

All three of these images have inspired and will play apart in my March Powertex project.

Bottom edge of door with hinge and rust and lots more texture. Inspiration for an artwork.
Bottom edge of door with hinge and rust
Oak boule with deeply textured bark
Oak Boule with bark

This final image was also captured on the same day and is the deeply textured bark on an oak boule.

For those who don’t know and I didn’t until last year when these started appearing in our timber yard, a boule is the whole tree trunk that is cut into planks.

This too will play a part in my March project.

What will my inspired artwork be?

So have you guessed what my March step by step Powertex project will be? Can you guess what Powertex products I am planning to use to re-create these wonderful textures and colours? If you have an idea then why not leave a comment below. You might think of something I haven’t!

I hope you found some inspiration for an artwork in this article. Keep ‘texing and pop back in March for the finished step by step project. Looking for more inspiration. Do have at my look last project for more inspiration, which you can find here.

Bye for now, Fi

A Brace of Powertex Herons – Fiona Potter

Powertex herons

Well here we are at the start of a new year and for me a new challenge. I am thrilled to be back on the Powertex Design Team for a third year and this year I want to push my own boundaries further. I’ve never been comfortable with sculpting but have always admired my team mates and other artists who are and whose work leaves me in awe. We all have to start somewhere and this is my beginning and I would love you to join me on this journey.

I’m not alone in the concerns about the damage our environment is experiencing and the struggle much of our wildlife has in continually adapting. The Heron is an ancient bird that was around in fossil times, you can find more information here.

The photos follow my written steps left to right.

Step 1 – I have used a variety of materials, mainly cheap foil and masking tape to fill out the body of the Powertex bird mdf templates. These were to be mounted onto the large 2 pin metal base so I played around with both templates to get my layout. You will notice that I did make a change ending up with both birds facing forward. I removed the smaller bird so that I could work freely on the larger one.

Step 2 – I made up some Stone Art Clay starting with equal quantities of Grey Powertex and Stone Art powder. As I have quite arthritic hands, I find it easier to work in small quantities and I made a total of 5 batches of clay each starting with around 200ml of powertex liquid. I wrapped each batch in cling film to stop it drying out.

Step 3 – Once I had covered the armature including the leg I covered the wings with masking tape.

Step 4 – I pulled lilac Paperdec into strips that would be long enough to drape over both sides of the wings. I brushed Powertex over the wing area and worked Powertex into the pieces of Paperdec one strip at a time until both wings were well covered and looked reasonably symmetric. I also re-positioned the wings slightly.

Step 5 – Before starting in this bird, I pushed the leg of the stand up into the armature to ensure there was a cavity without risking squashing the clay. I then worked the clay onto the smaller bird. As with the first bird, I painted a little Powertex onto the base before I worked the Stone Art Clay started with the far side i.e. the side that would be nearest the first bird.

Step 6 – Spread a generous amount of Powertex liquid onto the base and then press dry Stone Art powder into it. Repeat in patches until you get a nicely covered base. I also added some Paperdec onto the body to give an indication of the wing area.

Step 7 – Spray the base with blue Bister. Then spray the black Bister to create areas of shade. Leave the sculpture to dry overnight or until the clay is firm. I left mine for 2 days.

Step 8 – Using Secret Art Loft Clotted Cream and Secret Art Loft Liquorice Twist acrylic paint and a 1″ Powertex Flat Brush I started to give the birds character with a close nod to their true colours. I started by dry brushing the Liquorice Twist onto the lower wings on both sides. I then added some Clotted Cream into the black and continued over the top sections. Lightening several times until the wings had an ombre effect. At the same time I worked on the body of the birds. I also dry brushed some of the colour onto the base to bring out the detail.

Step 9 – Finally I added Colortricx Bronze Gold and a mix of Colortricx Silver with Powercolor dark Blue to tint the top outer edges of the wings and the legs. I also used Secret Art Loft Clotted Cream and Secret Art Loft Liquorice Twist acrylic paint and a Powertex No.4 round brush to add the eye detail.

I hope you like my interpretation of both the fabulous template and the Heron bird. If you are inspired by my blog to create your own, please acknowledge me. It’s great if we can help each other in the continuation of our craft. If you would like to learn this project with me please do get in touch.

Don’t forget to share your work n the Powertex Studio on Facebook. Find more of my work on Facebook. Bye for now, Fi

We Three Powertex Kings – Powertex Christmas – Donna Mcghie

Powertex Kings
A Blog On How To Create 3 Beautiful Powertex Kings

I did wonder when those lovely people at Powertex HQ told me I was being given ‘We Three Kings’ as my December theme, if they were indulging my love of bling.

I do tend to throw a bit of bling into most things I create, so my mind was buzzing with ideas for this one.

I had picked up some artist dolls in a sale a while ago, who were just perfect for this project.

artist dolls waiting for powertex
These three artist dolls were just begging to play the part of the three kings

I have to admit that I was surprised just how much I had forgotten about who these kings  were.  So I used the site  www.whychristmas.com   to help me out.

Balthazar was the first king I worked on:

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Balthazar – The King of Tarse and Egypt

I painted his face and hands with Black Powertex Fabric Hardener.

I then soaked some natural material in the same hardener, thoroughly wrung out and draped over his body.

I used Powercotton soaked in Powertex for his beard and hair.

Apparently he wears a purple cloak.  This got me excited because I know how wonderful the new violet valentine pigment shows up on black.

I soaked a lovely piece of silky fabric with tassles in the Black Hardener, wrung it out thoroughly and draped this over him to create his cloak.

I wanted to give the impression of Balthazar walking through a windy desert, so to get some movement in his cloak I stuck it onto a plastic bottle to dry overnight.  (I knew I was safe to do this as Powertex won’t stick permanently to plastic).

The next morning I peeled it off and it was staying in that position which was exactly what I wanted.

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He’s looking more like Shakespeare than a biblical king at the moment – but only because he’s not yet got his turban on

The next king on my list was Melchior

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Melchior King of Arabia

I went through the same process with Melchior, only this time using Lead Powertex.  Melchoir apparently had long white hair and a white beard.  I used some tassle for this that I found in a charity shop.

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The back view of Melchior’s flowing locks

Melchior wears a gold cloak, so once dry I used the gorgeous Rich Gold Pigment for dry brushing.

Last but not least, was Caspar

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Caspar, King of Sheba

Caspar has brown hair and a brown beard, so I used Terracotta Powertex Hardener mixed in with a little black as well for the first stages.

For Caspar’s beard and hair I used some synthetic fur I had got from a Scrap Store.  (I knew these figures were’nt for outside use so I decided to try the synthetic fur, and it worked ok).

His crown is simply a small piece I also picked up in the scrap store.  I think with imagination a lot of things can be made into crowns.

Caspar’s cloak is green which once dry would give me the chance to use another gorgeous, fairly new addition of Golden Olive Pigment 

Before each king was left overnight, I  added some bling to their coats.

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I used small boxes wrapped in fabric as their gifts, and also placed the kings on small tiles to give them stability.

I left them all to dry overnight, and the next morning went to down on dry brushing using a variety of gloriously royal pigments from Powertex UK

And behold, my finished Three Kings.

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We 3 Kings, setting off on an epic journey, with cloaks flowing in the wind

There are so many Christmas themed projects you can make using Powertex.  I would love to see your creations over on Powertex Addicts United page.

Wishing everyone a very Happy and Peaceful Christmas, and look forward to seeing you in the New  Year. Donna x

Top Ten Tips for a Powertex Christmas – Annette Smyth

Hello Everyone

I don’t know about you but I just love this time of year.  I have Christmas movies and music playing in the background from the beginning of November!!

So in the spirit of the season,  I wanted to share some ideas with you on how to get a wintery festive feel into your projects.  So here are my top ten tips for Christmas crafting along with some festive musical titles (how many can you recognise?)………..

1. LET IT SNOW, LET IT SNOW, LET IT SNOW………

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In my opinion you can never have enough snow!

Mix small 3D Balls and 3D Sand into White Powertex to get a textured snow effect. Experiment with different amounts of each until you get the consistency you need for your project.

Dry brushing with Powerpearl pigment makes the snow glisten.

2.  OH CHRISTMAS TREE, OH CHRISTMAS TREE ………

fullsizeoutput_15aa.jpegIcelandic/Reindeer moss coated in Transparent Powertex makes a lovely textured Christmas tree.  Be sure you give it enough time to dry – I left mine overnight, be careful if you use a hairdryer to speed up the process as you can burn the moss.

Here I have used moss that has been dyed bright green. The Powertex makes the dye bleed very slightly, so be aware of that when placing onto your project.

As the Powertex dried and became stickier,  I used a skewer to push the tree into shape.

3. (Christmas) PRETTY LIGHTS ON THE TREE……..

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Coat the large 3D Balls in Powertex and then dry brush with the pigments of your choice to make beautiful Christmas lights. To get a real shine coat with Easycoat Glossy. 

These can then be placed onto your tree and for a stringed light effect use Powercotton coated in transparent Powertex to connect the lights together.

4. DECORATIONS OF RED ON A GREEN CHRISTMAS TREE……

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Well actually the decorations can be any colour you like.

Use Stoneart clay and your favourite silicon moulds to create decorations for your tree. Attach to your project using Transparent Powertex .

Watch the video in the Penguin blog to see how to make Stoneart clay.

Dry brush with pigments to complement your chosen colour scheme

5. MERRY CHRISTMAS MR BUBLE……

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Ok so I cheated on this title as I couldn’t think of any song with baubles in it……but you can’t have Christmas without a bit of Mr Buble.

Take a ball of Stoneart clay, insert a loop of cotton then coat with Easy Varnish.

Dip into glitter for a sparkly look or coat with your snow mix to look like a snowball.

6. WITH AN EVERGREEN WREATH ON A RED FRONT DOOR……..

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You can make a great Christmas wreath by using a mdf cog.  Coat with a layer of Powertex Green.  Dip strips of Paperdec into the Powertex and lay around the cog in a circular shape.

Dry brush with Colortricx Terragreen pigment and sprinkle on a little snow to finish your wreath.

7. DECK THE HALLS WITH BOUGHS OF HOLLY…………

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Use your Stoneart clay with any cutters you have to create embellishments.  Here I’ve used a sugarcraft holly leaf cutter with green clay.  Remember to keep these cutters for non food use only.

The holly berries are 3d Balls dipped  in Powertex and drybrushed with red pigment then coated with Easycoat Glossy.

8. WITH THOSE HOLIDAY GREETINGS AND GAY HAPPY MEETINGS……

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You can add any greetings you like into your project by using the mdf letters .

I coated mine in the base colour then placed them onto my project.  Using white Powertex I then painted over the top to make them stand out.

9. THE PRETTIEST PICTURE YOU’VE EVER SEEN IS CHRISTMAS IN KILLARNEY……

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You can add a focal point into your project by using the Powertex rice papers.  

Select the image you want to use and draw around it (leaving a small margin) using a wet paintbrush.  Now gently pull away the excess paper keeping your hand on the image, this way if you tear by mistake it will be the waste that you rip into and not your picture.

Attach to your project using Easycoat Matt.

10. RAISE A CUP OF CHRISTMAS CHEER………..

close up of beer glass against black background
After all your hardwork treat yourself to a little of what you like
Merry Christmas and Happy Creative Adventures…..see you all in the New Year
Axx

Winter scene with Powertex snow

Hi it’s Kore, welcome to my winter blog.  What better way to create a classic winter snow scene than with Powertex and Stone Art! Just take a look at the gorgeous golden glow through the church window!

Powertex winter scene by Kore Sage

Winter scene

Ingredients for this project are:

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Step 1 The sky and underpainting

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Use Powertex to put your base colours down. I used White Powertex at the top of my canvas. Use a flat brush or piece of card to drag a tiny amount of colour pigments through the wet surface. See how I dragged the colour in curves. The lower half was covered in blue Powertex. This will mostly be covered but the blue will show through in places.

Step 2 Adding Stone Art

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While the blue Powertex is still wet, use your hands to cover it with Stone Art powder and press it gently into the surface. Try to avoid any wet white Powertex at the top. Gently brush off excess powder into a spare container/plate, you can use this again. See how some of the blue Powertex shows through? These layers of Powertex and Stone Art can be repeated until you are happy with the texture.

Step 3 Cardboard buildings

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Cut or tear some cardboard into building shapes. I made my pieces quite large and I wanted a church shape so made a triangular roof and spire piece. You can see the shapes I cut here. I covered them with white Powertex and stuck them onto the canvas. I build up the snow and hedgerow effect at the bottom so use a thicker layer of Powertex and pile on the Stone Art, including what I had left over. Notice how uneven it is.

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Step 4 Building textures

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To create the building I painted the walls and roof with Powertex Lead and Terracotta although you can use blue, black or white for the walls and roof. While the Powertex is wet, add a layer of Stone Art to create a snow effect on the roof. You could also try adding sand textures to the walls. Add more Stone Art snow where you want it, using wet Powertex and leave this to dry while you make your embellishments.

Step 5 Create the details

WinterStep12Embellish

I’ve chosen a few details to add to the landscape. The mdf gothic door was perfect for the church, painted with Lead. Paint some white card with Golden Metallic Ink to make the light in the window. Just attach the painted card to the window with a little Powertex and trim your card when dry. Tear some cardboard squares and paint with Golden Metallic Ink for the smaller windows.

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Cut Hessian scraps into tall triangles, paint gently with white Powertex and then spray with green Bister. Sprinkle a little Stone Art on the tops. The hessian threads can come apart easily so use a paint brush for this.

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Step 6 Pulling it together

I used some white Powertex to paint some of my snow textures to brighten them up then added my embellishments. Use Powertex to glue the pieces in place. Add any extra snow on the tops of windows with a little white Powertex. Lastly spray blue bister in the foreground and use a little on a flat brush to paint in your pathway. You could use other colours of Bister to change the mood of your scene or paint shadows.

Powertex winter scene by Kore Sage

As a finishing touch I also added some sparkle to the snow areas using some Pearl pigment and white Powercolor with some Easy Varnish to make a paint. This makes the snow glisten in the light!

I think this scene would look fantastic with a dark night sky, maybe with some iridescent pigments. If you have a go, post a picture in The Powertex Studio, I’d love to see it!

Thanks for looking at my project. If you’d like to see more of my work you can also follow me on Facebook and Instagram.

Until then, make a little time to let your art out!

Kore x

Simple step by step to a cute Powertex Penguin

For this month’s Powertex Blog we were given the theme of winter crafting.

As we are getting towards the end of the year, and I have obviously got lots of lovely new Powertex goodies on my Christmas list (and I have been a fairly good girl) I thought it was a good opportunity to also use up some spare bits I had from previously in the year.

Meet Quentin

Quentin (made using bronze powertex)

Priscilla

Priscilla (made using grey powertex)

and Paulio

Paulio (made using black powertex)

What I used:
Small amount of Powertex Stone Art 
Small amount of Powertex Fabric Hardener
Powertex Colour Pigments
Small amount of Powertex Easy Varnish
Small scraps of fabric
Small Polystyrene Eggs

How I made my Powertex Penguins:

I had a few small polystyrene Easter eggs left over from Easter crafting workshops and projects, and when I looked at these, the image of a cute little penguin appeared in my mind.

Having just finished a unicorn workshop I had a small amount of stone art clay left over, (which was made using bronze powertex) which was just perfect for covering the egg to create a penguin shape.

I had my stone art clay already mixed left over from my previous workshop (if kept in an airtight container it will last for quite some time once mixed up).  But if you are mixing it fresh it is very easy to do (it always reminds me of making pastry)

Simply pour a small amount of your hardener into a tub, and gradually add stone art, little by little, mixing with a pallet knife until a dough like subtance forms.  Roll it into a ball, and keep kneading and rolling until it comes away cleanly from your hands.

I made up three small balls, as I find it easier to work in this way

mix up small balls of stone art clay using Powertex Fabric Hardener and stone art

From here I simply rolled small bits out and covered my egg shape with the clay. I like to create textures in the clay so I used a small stamp to do this as I went.  Be sure to make the base of the egg quite flat so that your penguin is able to stand steadily.

I rolled a smaller ball to create a head shape, then added small rolls flattened out to indicate the wings, and molded a beak which I added to the head.  For eyes you can use any small round beads.  I was making it up as I went along, and had some Powertex sand balls handy so used these, painted black which worked just as well.

Starting to look vaguely penguinesque

It is when you add the colour that the penguins start to come to life.  I used black, white, tequila sunrise and silver, but basically you can use any colour that takes your fancy.  These are fantasy penquins, so use your imagination.

I was quite pleased with Quentin, but something was missing.  My daughter had the solution.  ‘He needs a little scarf’ she told me, and she was right, he did.  So I simply cut up an old scarf from my stash of material, soaked in transparent powertex and wrapped it round him to keep him nice and snug.  The final touch, and purely optional was some frosty glitter.

I was so pleased with him, and with how easy it was to make, that I made up some more stone art clay using some black powertex that had been lingering in the bottom of a bottle, and also some grey and made him a mum and a dad, so now I have my own cute little Powertex Penguin Family

Quentin, Priscilla and Paulio – keeping as snug as possible against that cold wind

These were genuinely quick and easy to make – and a great way to use up any last bits of stone art clay or powertex that you have lying around.

If you decide to make a Powertex Penguin we would love to see your photos over at the facebook page  Powertex Addicts United

You can see more of my makes on my website www.artandmurals.co.ukwww.artandmurals.co.uk 

Here Comes The Bride

 

 

As Prince Harry and Meghan prepare to walk down the aisle, here at Powertex we’re feeling pretty loved up as well.

 

This month I decided to use up a battered old canvas I had lying around to create a 3d picture of a fairy tale bride.

To do this, I used the back of the canvas.  Almost like a ready made box frame to work within.

I started off by mixing Ivory Powertex hardener with a very very small amount of Lead Powertex, hardener as I wanted to give a slight illusion of depth to my picture.  Once I had the shade I wanted I painted the entire canvas, and frame with this colour.

Once this was dry, I used wire covered with tin foil and masking tape to create an archway for my fairy tale bride to be walking through.  I adhered this into place and mixed some Powertex Stone Art with the remainder of my ivory and grey mixture to create some a clay to cover the arch with.  Once it was covered, I used a pallet knife to make some rough marks to indicate brick work.

 

To get the effect of  stone wall I then mixed up some Ivory hardener and Powertex Easy 3d Flex into a very wet clay and pretty much slapped it on the area between the archway and the frame.  I wanted this very rough and ready as my fairy tale bride is getting married in an old fairy tale castle.

As it was a very hot day, I then put this outside in the heat to allow the cracks I wanted to develop.  If you are not lucky enough to have a hot day then a good blast with  a hair dryer will work just as well. If you can it is best to leave Easy 3d Flex overnight to give the cracks a really good chance to develop.

Next I started to work on my bride.  I chose the Esther head available from Powertex UK  European selection as as I wanted my bride to be very delicate and pretty.

I used some tin foil and masking tape to make the shape of her bodice, making sure that I indicated where her arms would be also.  I then covered the top of her bodice with some gorgeous lace soaked in ivory powertex.

I wanted her dress to be flowing out of the picture, so used tin foil and masking tape to help create this effect, then put layers upon layers of lace.   I stuffed used rubber gloves up inside of the layers to help them stand out from each other.  I tend to keep most of my used rubber gloves for this purpose.  They work perfectly, and are easy to remove once you have got the effect you are after.

I was really pleased with the cracks in my Easy 3d Flex, however, when I looked closely I could see that some of the clay had moved away from my arch.  To disguise this I used some fabric flowers that I had picked up from a charity shop some time ago, and trailed them up the cracks.  I actually think this enhances the design.  I tend to find this with ‘mistakes’.  With a little imagination you can usually use them to your advantage.

I used some hessian to cover the wooden frame as their were ugly staples showing through.

I didn’t want much colour at all for this design, as I liked the simplicty of the colour scheme, so just used the new interference range to give a very slight hint of translucent colour on the Easy 3d Flex. Almost like the sun glistening on the stone.  I then drybrushed some clear gold colortrix to give a very subtle depth to the hessian frame.

I am really pleased with how she came out.  My fairy tale was pretty much all experimentation, but I love to experiment, and I love finding ways of turning mistakes around.   I hope that she truly will live happily ever after.

You can see more of my work on my facebook page or my website www.artandmurals.co.uk  

Also, don’t forget, here at Powertex we love to see your makes so please do post them on The Powertex Studio Facebook Page.

 

February Ramblings from Fi Potter

Hi Fi here, can you believe it’s February already? I’ve been busy doing lots of arty stuff with Powertex of course but also mixed media art journaling.
I was asked by my friend Debbie Bulford if I would like to decorate some of her rather fab jewellery stands. Well I didn’t need asking twice. They are such a neat design both for displaying your jewellery at home and even more because they pack flat making them super easy to carry to craft fairs.
I did two sets, the first I used neutral earthy tones of Powertex Bronze, Grey and Ivory. I used sand and Stone Art to add texture and then highlighted the edges with Bronze Gold and Silver Colortrix and Powerwax. Once the wax was dry I buffed them up to give a satin finish.
The second set I used Powertex Ivory and Bister’s in Blue, Yellow and Red. I used the hairdryer to achieve some subtle cracking and left to dry. I then washed them back quite hard. I still have a little more work to do on this set to highlight the edges and also in the base of both sets.  More photos will be added to my Facebook and Instagram pages soon. Can’t wait to display my own Powertex Jewellery on these.
I’m in my second year of doing Tamara Laporte of Willowing Arts Life Book.  I love the way Tam puts these online workshops together. Week one we created a Garden Fairy and this gorgeous girl is of my own hand,  I love her so much and can’t quite believe that I did it.  Now watch this space because I am incorporating her in a new Powertex project which I shall blog in the coming weeks…join me as I create her fairy story “Once upon a time…”
That’s all for now
Have a fab week and keep crafting …
Fi xxx

My Powertex Valentine

Marion – My Romantic Powertex Sculpture

With Valentine’s day fast approaching, I will  hold my hands up now and admit to being an unapologetic romantic.

But true love requires working at.  It doesn’t just happen.  Likewise, creating meaningful art doesn’t just happen.
I’m not talking about sticking rigidly to a plan.  Because, like all the best love affairs, I believe art takes on a life of it’s own, when given the freedom to expand in the direction it feels it needs to go in.
I always encourage people who come on my Powertex workshops to have an idea in mind, but to be fully prepared to go with the flow when they feel the need to do so.
Take my Powertex sculpture pictured here – who I have ended up calling Marion, after the trapeze artist in the romantic film Wings of Desire.

 

Marion started off life with the intention of being called Lady Grey.  She was originally quite plain, and rather saintly looking believe it or not.

However, somewhere along the line she morphed into more of a Black Swan type being.  Still romantic, but much sadder and more complex.

 

I find this happens when I am working with Powertex.  Sculptures evolve as I work.  Maybe something of what I am feeling channels itself into them.

Then this morning, as I finished her off, she changed once again.  Into a fun loving, romantic theatrical affair.  Hence finishing off as Marion.

 

I’m pleased I allowed her to evolve as she did.  I like the sense of adventure and glamour I get when I look at her.  Yes, the Marion stage was definitely the right one to stop at.
How I created Marion:
I used a bust I got from a charity shop – along with paper flowers and a top from the same shop.
I covered everything with with lead powertex hardener.
I then created the wings separately using wire covered with tin foil and masking tape
I attached the wings to the back of the bust, and covered them with Powertex paperdec and lead powertex
Once this was dry I went over them with Powercotton and some feathers also soaked in lead powertex to add even more texture
I covered the bust and the bodice with Powertex stone art using a mixture of grey and white powertex hardener to add some interest
At this point she started to morph into the Black Swan as I sprayed the bodice and wings with red and black bister
Deciding this wasn’t quite right, I then added more colour to the bodice, using powertex powercolor pigments of bordeaux red and terragreen.

I added silver colour to the wings before adding using white colour to highlight the whole sculpture and add to the grainy effect I was aiming for.

You can find me on facebook at Arts & Murals by Donna Mcghie  here to keep up to date with my work. See you again soon. Donna x

 

Inspired by leftover wallpaper?

Hello there

Did you read the latest Powertex newsletter and see the top tip for September was to use leftover wallpaper within your Powertex creations…..

Well it got me thinking about how useful that would be to create a really quick Halloween canvas

Here I used some leftover brickwork wallpaper and adhered this to my canvas with Easy Coat Mat varnish .  I then created a thick clay with Ivory Powertex and 3D Sand
Using the new stencil “The End”, I applied Easy structure paste through the bottom left skull image and once dry applied colour  to the clay and image using pigments and Easy Varnish 
The words were added by stippling the ivory powertex through the stencil once everything else was dry.

 

What wallpaper do you have that could inspire you?
Bye for now
Annette x