A kelp forest – under the sea

Kelp Forest by Fiona Potter

It was a beautiful, clear blue sky morning in the glorious heat of Summer 2018 we arrived at Porthgwarra Beach in far west Cornwall just as the tide was receding.  It’s such a beautiful cove and we kept spotting something in the water around the rocks and went to investigate.  It was a whole area of kelp – a Kelp Forest! Wandering through the pools left by the tide there were beautiful shells, stones and shiny pebbles.  This was my inspiration for this Under the Sea piece.

Kelp Forest by Fiona Potter
Under the sea: Kelp Forest

Supplies

How to make a Powertex kelp forest

Step 1: The ingredients
Step 2 - Setting in the wires

Step 1: Use either Stone Art or other air dry clay to push into moulds, leave to dry. Cut 9 or 10 lengths of wire and randomly drill holes into the mdf base.

Tip: I had a tennis ball size piece of Stone Art clay left over from a previous project that I kept. Spray water lightly over a piece of clingfilm which I wrapped tightly around the clay. I sealed it in a reusable plastic bag.

Step 2: Push wires into holes, secure with masking tape then rip lengths of masking tape sticking it the full length of both sides of the wire to create lengths of kelp.

The base

Step 3: Building the composition

Decorate the base

Step 3: Build a thick random layer of Easy Structure on the base, push shells, moulded sea shapes etc into the easy structure. Spray with bisters, set aside to dry.

Tip: If you use a large central shell like I did, it is worth masking off with some cling film or paper before you spray with bister

Step 4: Washing back and adding a top layer

The kelp

Step 4: Wash back the bister from shells and shapes. Use red ochre to colour some of the coral like shapes. Add a generous layer of transparent Powertex fabric harder on the base and drop in mixed art stones.

Step5: Adding the Kelp

Metallic colours

Step 6: Bringing out the colour

Step 5: Rip up lengths of pale green tissue paper and paste onto the kelp using transparent Powertex. Leave to dry. Transparent Powertex helps to keep the transparency.

Tips: Paint the transparent Powertex onto the masking tape and press the tissue onto it with a Powertex soaked brush.

Step 6: Using the blues and greens metallic pigments bring out the highlights of the bottom of the sea.  Brush Mojito Lime and Golden Olive, Limoncello Gold randomly on the kelp. If you leave lighter patches the sun will shine through enhancing the kelp.

Leave it in a place where you get the sun. Watch it at various times of the day to see where the sun lands and where you might want to add further metallics and maybe a pearl or crystal.

I hope this easy but interesting focal piece inspires you to create your own under the sea project. You might also like this lovely fish sculpture project by Annette.

Don’t forget to share your makes in The Powertex Studio and if you can give me a shout out that would be awesome.

That’s me for now, check back in June when I’m upcycling one of my early Angels that has been keeping watch in my garden for the last couple of years.

Bye for now

Fi

Powertex Kelp Forest by Fiona Potter
Powertex Kelp Forest by Fiona Potter

Rusty Powder

Rusty Powder -February – Powertex Product of the month

This month the team at Powertex Uk have picked rusty powder as their product of the month! Read on to find out how to mix it and see some examples of work with the rust effect created with this product.

How to mix


You can mix the powder with Powertex or Easy Structure and spread with pallet knife or brush. Next you need to spray a mix of water and vinegar on the wet surface. You can then repeat this as much as necessary. Next step is letting your piece dry for 24 hours or longer because this allows the rust process to take place.

How to create a coarse paste

You can obtain a rust paste by mixing Easy Structure with the Rusty Powder and a dash of vinegar. The other thing you can do is mix Powertex with 3DSand, the Powder and a dash of vinegar. This results to a coarser paste and a rough rust effect. 

 

Gorgeous Powertex rust by Tracey Evans
rusty art doll
Rusty Art Doll by Tracey Evans
Close up of texture and rust created with Powertex by Tracey Evans
Powertex and rust by Tracey Evans
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A gorgeous textural canvas by Sam Butler
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Fabulous Steampunk clock by Annette Smyth
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Beautiful rusty wings canvas
by Shell North @thecraftylittlecorner.co.uk

Fi Potter
by Fi Potter for Mixed Up Creative

We hope you have enjoyed seeing pieces created by the team. Enough so that it inspires you to have a go! Join us over on Facebook in The Powertex Studio and share your makes. Until next time.

Inspiration for an Artwork

Texture inspiration

Where to find Inspiration for an artwork

I am often asked where I get my inspiration for an artwork from. Well mostly the answer is, “it’s all around me”. Because I see inspiration when I’m out for daily walks with my camera. It might be in nature, in architecture, in the many working environment. In the weather, the clouds, a sound, a smell, a texture or a chance conversation. So these are all things that spark ideas in my head which lead me to the creation.

The images below were all taken within 20 minutes of one of these walks. I have worked in my day job for 8 years and never noticed this door before, but the light on that day was so bright that it drew me in. Just look at all that detail in the texture, layers of paint, rust and dust.

A hopper door that has lots of texture, years of dust, rust and layers of colour
Hopper Door – Look at the texture!
Layers of paint, rust and texture in a recessed door handle. Inspiration for an artwork.
Rusty inset door handle

Rusty Inspiration

The detail in this image is perfect for using Powertex Rusty Powder with lead and yellow ochre Powertex to recreate a rusty element.

This measures around 15cm x 10cm on a door that is around 6 meters high.

When you’re out and about be mindful, look out for the detail as well as the bigger picture. You never know what you might find to inspire a new piece of work especially a Powertex project! .

The image on the right is the bottom edge of the door in the first image.

Look at that luscious texture and rust. The tongue and groove in this piece have given me an idea for the base of my next Powertex project, can you guess what it will be?

All three of these images have inspired and will play apart in my March Powertex project.

Bottom edge of door with hinge and rust and lots more texture. Inspiration for an artwork.
Bottom edge of door with hinge and rust
Oak boule with deeply textured bark
Oak Boule with bark

This final image was also captured on the same day and is the deeply textured bark on an oak boule.

For those who don’t know and I didn’t until last year when these started appearing in our timber yard, a boule is the whole tree trunk that is cut into planks.

This too will play a part in my March project.

What will my inspired artwork be?

So have you guessed what my March step by step Powertex project will be? Can you guess what Powertex products I am planning to use to re-create these wonderful textures and colours? If you have an idea then why not leave a comment below. You might think of something I haven’t!

I hope you found some inspiration for an artwork in this article. Keep ‘texing and pop back in March for the finished step by step project. Looking for more inspiration. Do have at my look last project for more inspiration, which you can find here.

Bye for now, Fi

A Brace of Powertex Herons – Fiona Potter

Powertex herons

Well here we are at the start of a new year and for me a new challenge. I am thrilled to be back on the Powertex Design Team for a third year and this year I want to push my own boundaries further. I’ve never been comfortable with sculpting but have always admired my team mates and other artists who are and whose work leaves me in awe. We all have to start somewhere and this is my beginning and I would love you to join me on this journey.

I’m not alone in the concerns about the damage our environment is experiencing and the struggle much of our wildlife has in continually adapting. The Heron is an ancient bird that was around in fossil times, you can find more information here.

The photos follow my written steps left to right.

Step 1 – I have used a variety of materials, mainly cheap foil and masking tape to fill out the body of the Powertex bird mdf templates. These were to be mounted onto the large 2 pin metal base so I played around with both templates to get my layout. You will notice that I did make a change ending up with both birds facing forward. I removed the smaller bird so that I could work freely on the larger one.

Step 2 – I made up some Stone Art Clay starting with equal quantities of Grey Powertex and Stone Art powder. As I have quite arthritic hands, I find it easier to work in small quantities and I made a total of 5 batches of clay each starting with around 200ml of powertex liquid. I wrapped each batch in cling film to stop it drying out.

Step 3 – Once I had covered the armature including the leg I covered the wings with masking tape.

Step 4 – I pulled lilac Paperdec into strips that would be long enough to drape over both sides of the wings. I brushed Powertex over the wing area and worked Powertex into the pieces of Paperdec one strip at a time until both wings were well covered and looked reasonably symmetric. I also re-positioned the wings slightly.

Step 5 – Before starting in this bird, I pushed the leg of the stand up into the armature to ensure there was a cavity without risking squashing the clay. I then worked the clay onto the smaller bird. As with the first bird, I painted a little Powertex onto the base before I worked the Stone Art Clay started with the far side i.e. the side that would be nearest the first bird.

Step 6 – Spread a generous amount of Powertex liquid onto the base and then press dry Stone Art powder into it. Repeat in patches until you get a nicely covered base. I also added some Paperdec onto the body to give an indication of the wing area.

Step 7 – Spray the base with blue Bister. Then spray the black Bister to create areas of shade. Leave the sculpture to dry overnight or until the clay is firm. I left mine for 2 days.

Step 8 – Using Secret Art Loft Clotted Cream and Secret Art Loft Liquorice Twist acrylic paint and a 1″ Powertex Flat Brush I started to give the birds character with a close nod to their true colours. I started by dry brushing the Liquorice Twist onto the lower wings on both sides. I then added some Clotted Cream into the black and continued over the top sections. Lightening several times until the wings had an ombre effect. At the same time I worked on the body of the birds. I also dry brushed some of the colour onto the base to bring out the detail.

Step 9 – Finally I added Colortricx Bronze Gold and a mix of Colortricx Silver with Powercolor dark Blue to tint the top outer edges of the wings and the legs. I also used Secret Art Loft Clotted Cream and Secret Art Loft Liquorice Twist acrylic paint and a Powertex No.4 round brush to add the eye detail.

I hope you like my interpretation of both the fabulous template and the Heron bird. If you are inspired by my blog to create your own, please acknowledge me. It’s great if we can help each other in the continuation of our craft. If you would like to learn this project with me please do get in touch.

Don’t forget to share your work n the Powertex Studio on Facebook. Find more of my work on Facebook. Bye for now, Fi

January – Product of the month – Stone Art Powder

Turquoise Powertex Stone Art Clay unicorn

Stone Art Powder – Find on the Powertex UK website.

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Use Stone Art to make self-hardening clay, coarse and fine structures and stone effects.

Be inspired by more makes over on the Powertex UK Pinterest board.

Our Design Team and guests have shared some of their favourite makes with Stone Art Powder:

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Sam Butler created these stunning Stone Art clay garden ornaments.sam2.jpg

This cute little chap is a wonderful hare created from Stone Art clay by Annette Smyth. 3.jpg

A wonderful bowl inspired by nature from Shell North.

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Stone Art effect used on the side of this vase and on the clay flowers makes this piece a one of a kind treasure by Jill Cullum.5.jpg

Stone Art is just made for texture! Look at this amazing inter galactic work of art by Fi Potter.

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Stone Art can be used to sculpt adorable animals full of character as you can see with these fabulous owls by Donna Mcghie.

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Why not use Stone Art on your magical and practical ideas as Abigail Lagden has done with her works of art below.

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Stone art works well as a clay and gives a stone effect will go on mdf bases and will cover Easy Structure and patterned wall paper for extra textural effects as seen on this hare was created by Anna Emelia Howlett.

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Tracey Evans created this beautiful unicorn to teach as a project for the Powertex Garden Party and her portfolio workshops. Stamping into Stone art clay is another effective technique to create lots of detail in your work.

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Kore Sage brings us a piece of practical art with this stunning brush pot holder. With Powertex the possibilities really are endless.

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We hope you have been inspired to get the Stone Art out and have a go! Do share your makes with us over in the Powertex Studio. See you next month with more Inspiration!

Twinkle Twinkle Little Star – Powertex mixed media – Fiona Potter

Wow can you believe it’s the end of another year. What a year we had with the best, hottest, longest summer the UK has had in a good few years. If you have been following me on social media you will know that I’ve had quite an astral year and to end the theme I have created this rather cute Powertex Stone Art Star. Here’s how I did it…
You will need a star base with hanger, Powertex in Ivory or White, Stone Art Powder, Extra fine snow glitter, fake snow and iridescent glitter flakes,Secret Art Loft Interference Lilac or Interference Blue Pigment, Powertex Easy Varnish and some flat back crystals with AB coating.
Working on one star arm at a time, brush on some Powertex Liquid Medium then gently press some stone art powder over the painted area. You might see some Powertex oozing out and if you do just press more Stone Art Powder over it. Once you have coated the star on both sides it will look like this:
Now dab on some more Powertex Liquid Medium and repeat the first step until you have completed three layers. This will give you a good strong finish. Let it dry. Next paint on a very fine layer of Powertex Liquid Medium on one full side and press the fine snow glitter into it. Repeat on the other side until it looks similar to this
Leave it to dry and clean away the excess glitter.
Top Tip: Keep a separate box for the left over stone Art powder, glitter and flake from this project – you can use it with Powertex in another project!
Once it is dry, use some Powertex Easy Varnish and Secret Art Loft Interference Lilac or Interference Blue pigment and add along the spine of each of the star arms. This will create highlights.
Once this has dried, add a light layer of Powertex to the outer edges of the star arms on both sides and press in some of the fake snow and iridescent glitter flakes.
Once this is dry add the final touch of some tiny AB coated flat back crystals. These will really catch the light. Leave it to dry well before adding to your festive house.
All that leaves me to do is to thank you for following us here on the the Powertex Blog and on Hochanda. I look forward to seeing your festive makes in The Powertex Studio and Powertex Addicts United.
I wish you all a very Merry of Christmas and may all your dreams come true!
See you in 2019 for lots more Powertex Fun!
Fi xx

Introducing the Powertex UK Design Team and Guests 2019

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You will notice some familiar faces to the Powertex UK Design Team 2019 and some new ones too.

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Abigail Lagden – Back for her second year.

I am a self taught artist based on the outskirts of Bishop Auckland, County Durham. I absolutely adore the rich, intense colours and the amazing depth and textures that you can create with Powertex. I love all things magical, mystical and fantastical, and find this influence has a tendency to creep into most of my creations!

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Annette Smyth – Back for her third year

‘I live in Leamington Spa with my husband and three dogs. I’ve created all my life and love the flexibility Powertex gives me to use my existing skills and develop new ones. Every day is a creative adventure. ‘

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Donna Mcghie – Back for her second year

I am a level 4 Powertex tutor and continue to be inspired and amazed by the variety of ways this medium can be used both for my individual art projects, and also for my art 4 a heart workshops. £5 from each booking under the Art 4 A Heart banner gets donated to the brilliant Papworth Hospital Charity who saved my husbands life with an emergency heart transplant a few years ago.

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Fiona Potter – Back for her third year

Hi Fi Potter here and boy I am so excited to be back for a third year on the Powertex DT. I am basedin north Warwickshire a stones throw from the NEC. I’m a lifelong crafter working with textiles,mixed media and found objects. I enjoy creating everything from delicate to chunky jewellery, wall art and home decor and this coming year I’m challenging myself to be more sculptural and push myself out of my comfort zone. Join me for the ride and lets see where 2019 takes us!

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Jill Cullum – New to the Team

I live in North Lincolnshire with my partner Karl and guinea pig, Toffee. I have always been creative so discovering Powertex was the icing on the cake! I am a mother and Nanny as well as having a busy, stressful ‘day’ job. I love using my creativity to switch off from day to day stresses, finding it therapeutic and rewarding. My favourite Powertex products? Difficult one, but Rusty Powder along with 3D Sand Balls would be at the top of my list.

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Jinny Holt – Back for her second year

Hi I’m Jinny Holt.
I live in Scotland, wife, mother, nanny.
During the day I am a support worker for adults with additional needs.
Creativity is my life misson and therapy!
I love working with Powertex, love Stone art and Easy 3D, more texture the better. I tend to do darker pieces but enjoy pretty sometimes.

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Kore Sage – Back for her second year

I’m a mixed media artist living in Brighton. I love walks on the beach, to paint, journal, create, share my process and live a creative life with an 80s soundtrack. Before art I had a dining room table. I really enjoy canvases that are very layered. My favourite products to use are Easy Structure and Rusty Powder because I can combine these with other products for so many different effects.

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Shell North – New to the team

Mum of 3 grown children, Nanny to 2, Yorkshire born but living in Dorset with my Partner. I’m a full time artist with qualifications in substance counselling and special needs care so the importance of art therapy is a huge part of my artistic journey. I love immersing myself in mix media and sculpting. Whimsical, magical, and fantasy as well as nature inspire me artistically.

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Anna Emelia Howlett –  Back for her third year

Based in Maidstone , Kent. I work in mixed media and I’m inspired by most things magical. I think in this day and age we never seem to make enough time for ourselves. I truly believe art can give us the space our bodies need to breathe. Being creative is continuing to improve my well-being, and I love sharing that and helping others make that time to enhance their creative side. I love EVERYTHING about Powertex I can’t chose a favourite product it’s way too hard!

And please welcome the Powertex UK 2019 guest bloggers.

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Anne Waller – Back again for her 3rd year

My favourite product has to be the Transparent Powertex. It has so many uses in my textile work. Often it is the ‘unseen hero’ stabilising and securing thread work on the back of a piece. When it comes to mixed media, then it has to be the Bronze Powertex. It provides the perfect base for yummy shimmering pearlescent and metallic pigments. I just love a bit of bling!

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Patricia Williams – Powertex tutor

I am a Mixed Media Artist using the name Alex Henry.  Specialising in Powertex products, creating sculptures and running workshops. I have worked with children in local youth groups and recently exhibited at the Jinney Ring Sculpture Trail. Many hours of my time is spent experimenting with Powertex.

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Sam Butler – I love to play, dabble and experiment and will give anything a go!! My favourite colour is green, however I do love the black Powertex! But my most, most favourite product at the moment is StoneArt, I can’t get enough of it.

Do sign  up to the blog so that you are able to receive all the latest tutorials and blogs brought to you by the design team!received_327395237855903

Northern Lights

Well here we are Autumn is almost over the dark nights are with us. I love crisp cold dark nights when I can see lots of stars twinkling in the sky after the stunning colours of the setting sun. Here in the UK there a only a handful of places where, if the conditions are right you might spot the Northern Lights. Going to Norway or Iceland to see the Northern Lights is high on my bucket list but until then, I have created my own abstract Powertex painting to stir or feed that dream!

So grab a coffee and relax while I take you through some very simple steps to create your own version.
First I took a canvas that had been part used on a demonstration and it already had some texture at the bottom. I had created the texture using a mix of Easy Structure and Powertex sand balls which I put down on a white 30×30 cm canvas.
I then made up some Easy 3D Flex with some white powertex and using a metal artist pallet knife I spread the 3D Flex mixture vertically on my canvas. As the base texture was already dry, I painted over a good coat of White Powertex.
Next I mixed up some blue bister granules using a teaspoon of granules to 30 mls of warm water from the kettle with 30mls of white vinegar. This gives a crisper look when sprayed on your canvas as can be seen in the image below. I also sprayed some standard black bister at the top area of the sky section
To give more depth I sprinkled some blue bister granules onto the area representing water and rocks and sprayed this with water.
I then left the whole thing to dry and crack over two or three days.
Once it was dry I washed back the black area of bister using a damp sponge. I then used a mix of the Aqua blue and Deep Sea Secret Art Loft acrylic inks to create the dark water and sky. I then used Secret Art Loft acrylic paints in Key Lime, Blueberry Pie and Plumb Pudding on a very dry brush to create the colours synonymous with the Northern Lights.
I then added some metallic highlights using Golden Metallic and Viola Metallic inks as well as Green Ginger, Limoncello Gold and Colortricx Pearl pigments mixed with Powertex Easy Varnish.
I can’t tell you exactly how I added the pigments and colours as I use loads and loads of very light layers, just experiement and have fun!
Here is the finished piece

 

Here is a short video tour of the painting giving closeups on my colour blending.

 


See you in December where I have created a Powertex Christmas Ornament!

Bye for now
Fi

Scarecrows in September

Wow, it’s September already! I love September the start of autumn and all those fabulously rich warm colours.  As a farmers daughter the harvest was always such a special time, I loved helping dad bring in the harvest when the whole countryside appeared to turn rich rusty gold, snuggly nippy nights, warm mellow days…oh and scarecrow trails!

Did you know that scarecrows have been around for over 3000 years? The Egyptians were the first to use Scarecrows along the Nile River to protect wheat fields from flocks of quail (see link to a great source The  History of Scarecrows). The Greeks, Romans and Japanese all had a form of scarecrows.  I think the scariest story of scarecorws was from medieval Britain who use living Scarecrows!!! 9-year old boys and older patrolled wheat fields carrying bags of stones to pelt the crows if they landed in the fields.

I hope you find my interpretation a lot friendlier!

To get started I needed to make an armature, now forgive me here because I was doing it all in a rush and didn’t remember photographs until it was made ready to StoneArt.  I will try to explain…
First I used a wooden base and some 2mm aluminium wire.  I pulled off around about a meter and starting from the centre I made a circle for the head by wrapping the wire around a jam jar. I extended out each side to made shoulders and arms and then wrapped the tail of each around the pole on the wooden stand.
Once this was done I used masking tape to secure it in place and padded out the body, arms and head with a lot of cheap kitchen foil.  I then masked the whole thing with masking tape.
I then made up a quantity of StoneArt Clay – around 150ml of Ivory Powertex – once this was made I painted Powertex onto the masking tape to give the StoneArt clay something to key onto and then added pieces of clay that I had flatted between my fingers.  Once it was covered I used the end of a paintbrush to mark out eyes, mouth and nostrils.  I then painted a thin layer of Powertex over the clay and gently rubbed in more dry StoneArt Powder.  I left this quite rough as I wanted a rough weather work finish. I then set aside to dry.
Now it was time to dress the Scarecrow.  I used Transparent Powertex which I worked into some ivory paperdec to cover the the arms and head to give the impression of being stuffed with straw.   Next I used two similar sized pieces of natural paperdec and worked transparent Powertex in. Tip: it uses a lot more than you think but once dried it is clear and hard.  I draped them over the shoulders and about two thirds of the way down on both front and back.
I used additional pieces to cover the wooden pole and base to give the effect of a tree trunk.  I also covered a little mdf mouse that was left over from another Powertex MDF kit. Finally I added some more ivory paperdec to make a scarf.  I then left it to fully dry, it took about 3 days!
Now to add colour! I could fill the whole blog with the very many colours and layers I added. However I wont but I will say that i started with Powercolor ultramarine blue and a tiny spec of black pigment mixed with Easy Varnish.  to colour the blanket coat.  I used dark green for the base, orange and red for the scarf.  For the straw, I used yellow and red ochre in varying degrees and used red ochre on the mouse.  I then built more layers of colours to get a well weathered look on his coat using Colortricx in pearl and copper.  I coloured the tree trunk with Secret Artloft Pigment in Golden Olive.
I then made up a small quantity of StoneArt Clay using Bronze Powertex Fabric hardener. I used a golf ball sized ball of the clay and pressed onto the top of the Scarecrows head
 I rolled this with a craft rolling pin and shaped into a circle and draped over a yogurt pot to shape
Then I layed it over the powertex ball on the head and finished the shaping.  I also pressed a little butterfly into the hat that was left over from some other project.
I added two mdf ravens which i painted with Powercolor Black mixed with Easy Varnish. Once they were dry I used Secret Art Loft Pigments in Interference Lilac to add some shimmer and Tequila Sunrise to colour the beak. I stuck these on using some matte gel for speed and added some tiny rhinestones for the eyes on the mouse and ravens.

 

Hope you like my rather friendly but scruffy weathered Scarecrow!
Have a fabulous autumn and don’t forget to share your makes with us over in The Powertex Studio and Powertex Addicts United.

Steampunk Jewellery Plier Stands (by Anne)

I have been meaning to decorate my jewellery plier stands for ages and finally got them finished.
I had a bit of a problem with these in that they started off as a plain varnished wood surface. I initially coated them with white Gesso with a view to painting them with acrylics. However, the Gesso did not bind well to the varnish layer – eek! All ideas were halted. These need to be fairly robust and a tonne of flaky chips after a short use was not what I wanted!
I then discovered Powertex and yay, I would be able to rescue and decorate my plier stands after all. Coating the entire surface with rice papers and torn kitchen towels would create a tough protective skin over the surface and prevent the feared chipping off of the base layers.
HOW IT WAS DONE
I first collected together lots of embellishments; die cut cogs and pipework (Sizzix dies), MDF Keyplate (Powertex), metal clock hand and chains, old light bulbs and screws.
I tore out images from Creative Rice Paper (Powertex). This particular sheet seems to be out of stock but there is a similar Victorian Steampunk Paper available. I also separated layers of kitchen paper and tore them into pieces to coat the surface. This would add texture and a protective layer.
STAGE ONE
First I applied the torn decorative papers using Easy Coat Mat Medium. Ivory Powertexwas then painted on to blend in the image edges.
STAGE TWO
Next layers of kitchen paper were bonded all over the surface. Some were glued down with Ivory and some with Terracotta Powertex. Die cut card embellishments were also coated with Powertex and glued down.
Texture was added by applying Easy Structure Pastethrough a texture stencil.
I also had a try at the rust technique. I mixed some Rusty Powder into Ivory Powertex along with a few drops of white wine vinegar. This was painted and dribbled over the surface (extra powder sprinkled on top) and spritzed with water and vinegar before leaving overnight to develop. I spritzed at intervals, several times. I avoided the areas that will be in contact with my pliers.
STAGE THREE
Next I brushed over and added colour using Acrylic Inks in Tangerine, Egg Yolk, Aqua and Metallic Gold.
STAGE FOUR
I also applied a little gold Pebeo Gilding Wax on some areas. When fully dry and cured (I left them for 3 weeks) I coated the surface with Easy Varnish to fully seal and protect.
I have included lots of images of how all the surfaces were built up.
Texture and die cut cogs have been added.
Rust and colour added.
Side finished with stronger thick greyboard embellishments. Any large embellishments protruding from edges need to be strong (thinner card would be prone to warp and bend).
I started with a larger clock image on the other side.
Die cuts and texture added plus a metal clock hand for dimension.
Finally finished with thicker embellishments and more dry brush work and gilding wax.
Love this character.
Texture and layers built up. Waiting for the rust to develop.
Building up the layers of transparent colour makes so much difference.
The second plier stand started off in the same way.
At this stage you might feel like giving up. What a mess!
Just keep going, adding layers of rust texture and colour. 

 

Just loving the gorgeous layers of texture and colour.
I used several layers of the die cut pipework together to make them thicker and stronger on this side.
Wooohooo – this is soooooo yummy (or is it just me – tee hee).
Another end panel.
I used an MDF keyplate (Powertex) to embellish this end.
The final colouring makes such a difference.
The final side had a couple of little storage wells. I won’t really be using these so a perfect place to embellish with larger items.
I had fun adding recycled light bulbs, screws and bits of chain etc. I used structure paste and Powertex treated kitchen paper as a 3D glue to hold things in place.
Initially I had added a thinner die cut cog to the end but it wasn’t really strong enough. Here I added another thick greyboard cog over the first. Much more practical. I also added a small MDF Butterfly.
Here you can see more of the Steampunk treasures added. I also added some 3D Sand and Balls.
Love this Steampunk birdie peering out.
Well I hope that all these pictures have not overwhelmed you. I wanted to show how all the stages were built up. It also shows the stages that look awful, perhaps where a beginner might give up! Remember, if it all goes wrong just keep applying colour, inks or coloured varnishes. If this fails and you are really not happy – just paint over the whole thing with a base colour of Powertex and start again.
Hugs, Anne xxx.